Sunday, April 23, 2017

Going in style

Director: Zach Braff

Starring: Michael Caine, Morgan Freeman, Alan Arkin, Ann-Margaret, Christopher Lloyd , Matt Dillon

Grumpy Old men meets the Italian Job in Zach Braff’s remake of Going in Style (1979) which originally starred George Burns. The story follows, three New York septuagenarians (messers Caine, Freeman and Arking) desperate to make sense of their new circumstance as retired working men completely fleeced by the Corporate and Banking world. They decide to get their own back with a bank heist. A larger than life plot follows dotted with light humour and some pathos. Overall this is a feel-good farce with a lot of on screen laughs (more than in the trailer) thanks to screenwriter Theodore Melfi. Good on screen performances from Caine, Freeman and Arking with Ann-Margaret, Christopher Lloyd, Matt Dillon in support, keep the plot going.



Sunday, April 16, 2017

Their Finest


Director: Lone Scherfig

Starring: Gemma Arterton, Sam Claflin, Bill Nighy, Jack Huston, Paul Ritter, Rachel Stirling, Helen McCrory, Richard E. Grant, Henry Goodman, Eddie Marsan, Jake Lacy, Hubert Burton, Jeremy Irons, Claudia Jessie, Stephanie



I did so want to enjoy this movie but instead found it drab and dreary at times. Based on Lissa Evans' novel Their Finest Hour and a Half, the story follows the characters involved in making an English propaganda film during World War II. Midst the mayhem of the London Blitz in 1940, the Ministry of Information's film division decide to make a morale boasting picture. Mousey, Catrin Cole (Gemma Arterton) lives with a wounded veteran Ellis (Jack Huston), who is a struggling artist. To make ends meet she get a job and almost by accident the copywriter finds herself matched with head screenwriter Tom Buckley (Sam Claflin) to craft the story and script a movie based on the Miracle of Dunkirk. The film within the film is loosely based on (actual) events of young twin sisters who travelled on their father's boat to Dunkirk to try to rescue a family friend. Unfortunately, things did not go quite to plan, but when the twins make shore with some evacuees on board, the newspapers ignored the truth and make the girls out to be heroes. Catrin embellishes the storyline further and production of the propaganda movie is set in motion. It is a busy plot and the movie is really a love story. Bill Nighy is delightfully droll as faded thespian Ambrose Hilliard, coaxed into double duty as supporting ham and acting coach to the proverbial Yank, Carl Lundbeck (Jake Lacy). The supporting cast includes Jeremy Irons, Helen McCrory, Richard E. Grant, Eddie Marsan and Rachael Stirling which should have made this a brilliant film.



Sunday, February 19, 2017

Hidden Figures


Director: Theodore Melfi

Starring: Taraji P Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Kirsten Dunst, Jim Parsons

Based on the true story of three African-American female mathletes who overcame racial prejudice and gender bias to play a crucial role in the US space race. Katherine Goble Johnson (Taraji P Henson), Dorothy Vaughan (Octavia Spencer), and Mary Jackson (Janelle Monae) are part of the "colored computers": a group of mathematically literate African American women used by NASA to beat Russia in the Space Race. Toiling within a segregated organisation, their initial, race-based confinement gradually gives way as their talents draw them deeper into the mathematical action needed to get the rockets off the launch pad and thus keep pace in the space race with the Russians. NASA director, Al Harrison (Kevin Costner) is a gruff authoritarian who has no truck with racism when there is a job to be done. Marginally racist co-workers begrudgingly gradually accept, change has come. Good performances all round with Octavia Spencer in particular good form. The movie was shot by Australian cinematographer Mandy Walker.



Thursday, February 2, 2017

Patriots Day

Patriots Day Director: Peter Berg

Starring: Mark Wahlberg, Kevin Bacon, John Goodman, Themo Melikidze, Alex Wolff, JK Simmons, Michelle Monaghan, James Colby, Jimmy O. Yang

The dramatized version of the 2013 Boston Marathon bombing and the efforts to catch the perpetrators, pulls no punches. Eminently watchable the story unfolds through the eyes of outspoken, homicide detective Tommy Saunders (Mark Wahlberg). Gradually the plot develops to incorporate actual events in a manner both respectful and highly informative. What starts as a local cop matter quickly escalates into a massive investigative operation led by F.B.I. Special Agent Rick DesLauriers (Kevin Bacon) as in acts of terrorism, federal authority outranks local authority. Frustration between agencies is evidenced but in the end it is good police work and an intense car chase that eventually brings the two radicalized Chechen-American bombers to book. The film avoids dwelling of the deeper issues of modern anarchy and instead promotes the power of the human spirit to overcome. This is a gripping movie but long at two hours and 15 minutes running time.



Saturday, January 28, 2017

Live By Night


Director: Ben Affleck

Starring: Ben Affleck, Sienna Miller, Zoe Saldana, Robert Glenister, Remo Girone, Brendan Gleeson , Chris Cooper , Elle Fanning

Set during the Prohibition, this is based on Dennis Lehane's novel, Gone Girl, and tells the story of a group of Boston hoodlums, led by Joe Coughlin (Ben Affleck). After Irish Moll and love interest (Sienna Miller) helps Coughlin with his minor crime spree in Boston, she reluctantly betrays him to her ruthless gangster boyfriend Albert White (Robert Glenister). After he is jailed for a botched bank robbery and released he joins White’s nemesis and gang rival Maso Pescatore (Remo Girone), out for vengeance. Coughlin is sent to Florida to develop the rum run with the Cubans and has to face off against the local competition, Albert White, and the Klu Klux Klan. There he meets and falls in love with and Zoe Saldana. What follows is rootin'-tootin' gangers stuff, which should have made this as good as Goodfellas or the Sopranos, but sadly it is not. Overlong at 129 miniutes, tedious dialogue, unconvincing acting, and a lack of star perfomance, all add to make this one, a big yawn.